Every flashback you write should be framed within a current activity. The current activity needs to be obviously relevant to the flashback. You may think that you\u2019re being witty, planning to explain the flashback later, but one of the easiest ways to create confusion is to suddenly throw in an irrelevant story from the past. Even if you explain later, the reader is engaged in the moment, and may not even remember what you\u2019re talking about if you save explanations for a later time. <\/p>\n
This doesn\u2019t mean that you can\u2019t tie in flashbacks that aren\u2019t directly tied to the moment, but there must be a trigger within the frame, the current activity, that makes a flashback applicable. <\/p>\n
\u25cf\tFramework:<\/strong> Sheryl is walking along as a dog starts barking nearby, startling her. She hates dogs. The framework provides the house wherein the flashback lives, and needs to be a comfortable fit. <\/p>\n This is How to Check Your Tense<\/strong><\/p>\n One of the main reasons that a flashback can be so confusing is that the tense you use can so easily get mixed up. When you\u2019re framing your flashback, it is very important to ensure that the framework – the current activity – uses current tense, and the flashback itself is written in past tense. <\/p>\n \u25cf\tPast Tense:<\/strong> Sheryl had every reason not to trust them. Future tense can be used for fast forwards, for which the writing rules are very similar. <\/p>\n Use Flashbacks to Illuminate New Story Elements<\/strong><\/p>\n As you move a reader from the current actions of the story with a flashback, make sure your efforts are not in vain. You need to use flashbacks for some relevant purpose. They\u2019re risky, potentially confusing, so give them significance that outweighs or at least balances the risk. One reason to use a flashback is to reveal something missing from earlier scenes. <\/p>\n Imagine that you have written about Sheryl\u2019s hatred for dogs in the last chapter of your book. In the current chapter, she is walking along the sidewalk, in a suburban neighborhood, and cringes as someone\u2019s Pitbull barks at her through a fence. Here, a flashback would serve as an excellent tactic for illuminating why she hates dogs. Perhaps she was attacked by her uncle\u2019s Rottweiler as a child. This could also explain the scar on her cheek that makes her feel so insecure about her looks. When you use a flashback in this way, the risk you\u2019ve taken is balanced with a strong purpose, an illumination of other story elements. <\/p>\n Write Flashbacks Based on a Character\u2019s Inner Reality<\/strong><\/p>\n Flashbacks are often thought of as teleporting your reader to a past scene, as to explain what happened. That is one use for the flashback – it is based on the story\u2019s reality. Don\u2019t forget to try out flashbacks from your the perspective of your character’s\u2019 inner reality or fantasy. <\/p>\n You don\u2019t have to make your character insane to effectively write fantasy flashbacks (though you can, if you want). Just as easily, you can throw flashbacks in as subtle hints of the their imaginary visions. Here are some examples: <\/p>\n 1.\tIf only my uncle would have tied up his dog, I wouldn\u2019t have had so many problems. As you see, these standalone flashbacks are based on the character\u2019s inner reality. They didn\u2019t actually happen. At the same time, they are strong; they provide insights into what motivates your character on a very personal level. By executing flashbacks like these, you provide readers with the opportunity to swim around inside foreign minds, which is exactly what they seek. It is what makes people fall in love with your characters. <\/p>\n Summary<\/strong><\/p>\n Now you know how to write flashbacks that are effective and engaging, without garbling the scene. Surround flashbacks with solid, relevant action frameworks and use the proper tense for each of these elements. Use flashbacks to illuminate topics that were previously mentioned and hint at fantasies. Integrating this knowledge into your stories will create the opportunity for you to develop your stories into masterpieces. <\/p>\n
\n\u25cf\tFlashback:<\/strong> When she was a child, Sheryl had a traumatic experience with a dog. <\/p>\n
\n\u25cf\tPresent Tense:<\/strong> Sheryl has every reason not to trust them.
\n\u25cf\tFuture Tense:<\/strong> Sheryl will have every reason not to trust them.<\/p>\n
\n2.\tI imagined that my uncle was angry with me for upsetting Brutus so badly and would stop letting me come to visit.
\n3.\tIf the police wouldn\u2019t have arrived that day, the dog would have lived. How many more children would he have harmed – maybe even killed? <\/p>\n
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Janice Kersh is the main cookie lover, foosball player and content writer\/marketer at