I was born in Winston-Salem in the early autumn of 1986, and immediately became a lover of prose and literature. At a young age, I would delve into my mother's vast book collection (Antony and Cleopatra, Romeo and Juliet, Pride and Prejudice), and a life-changing love affair was formed. I wanted to orchestrate stories like the ones I read, create new realms of thinking, new worlds, involving various types of people. I completed my first novel at 12...and I haven't put the pen down since.
You'll find an array of writing styles - press releases, online exclusives, magazine articles, endorsement letters, suggesting that my interests and career goals surpass literary writing. It has always been my belief that the most important thing about writing is that it should convey the right message, in any fashion that it is presented. For my personal usage, writing has always soothed my soul, has always served as the perfect form of catharsis.
<p>New from the author of the multiple award-winning fantasy saga, <em>The Daughter of the Sea and the Sky</em>, winner of the <strong>Pinnacle Book Achievement Award, Fall 2014 - Best Book in the Category of FANTASY</strong>....</p><h1><strong><em>The Children of Darkness</em> by David Litwack</strong></h1><p>Evolved Publishing presents the first book in the new dystopian series <em>The Seekers</em>. [DRM-Free]</p><h2><strong>[Dystopian, Science Fiction, Post-Apocalyptic, Religion]</strong></h2><p><em>“But what are we without dreams?”</em></p><p>A thousand years ago the Darkness came—a terrible time of violence, fear, and social collapse when technology ran rampant. But the vicars of the Temple of Light brought peace, ushering in an era of blessed simplicity. For ten centuries they have kept the madness at bay with “temple magic,” and by eliminating forever the rush of progress that nearly caused the destruction of everything.</p><p>Childhood friends, Orah and Nathaniel, have always lived in the tiny village of Little Pond, longing for more from life but unwilling to challenge the rigid status quo. When their friend Thomas returns from the Temple after his “teaching”—the secret coming-of-age ritual that binds young men and women eternally to the Light—they barely recognize the broken and brooding young man the boy has become. Then when Orah is summoned as well, Nathaniel follows in a foolhardy attempt to save her.</p><p>In the prisons of Temple City, they discover a terrible secret that launches the three on a journey to find the forbidden keep, placing their lives in jeopardy, for a truth from the past awaits that threatens the foundation of the Temple. If they reveal that truth, they might once again release the potential of their people.</p><p>Yet they would also incur the Temple’s wrath as it is written: “If there comes among you a prophet saying, ‘Let us return to the darkness,’ you shall stone him, because he has sought to thrust you away from the Light.”</p><p><strong>Be sure to read the second book in this series, <em>The Stuff of Stars</em>, due to release November 30, 2015. And don't miss David's award-winning speculative saga, <em>The Daughter of the Sea and the Sky</em></strong></p>
I present this book with a little trepidation. I first wrote this as a result of a long, winding bend of confusion that had lasted almost two years between myself and a person of the opposite sex. Four years ago in the early spring of 2007, I was only twenty-years-old and a junior in college, and my frustration turned into jotting down ideas and feelings in between classes. I was sitting in the parking deck on a particularly warm day in early March, and while I should have been studying my notes for my forthcoming art class, I was reeling from the conversation I'd had with the aforementioned person of the opposite sex. I realized that we'd never work in the way I'd figured in my head. It was equally tragic because we were best friends and we spent a great deal of time with one another. But the disparity of our color and cultural makeup were always glaring us in the face. So, as I sat in my car with my laptop in front of me, and the clock ticking, I began to think: "So what if it did work? What would happen? Would it be easier? And why would it work?" I'm a romantic, and I'm a sucker for happy endings. But I also enjoy realistic dynamics. Please don't read this as an autobiography. Although I am very similar to Natalie Chandler in many ways, my characters are a composite of people I hold very near and dear to my heart. They are my inspiration. Some of them are mentioned below. Even years later, I still recall writing this novel as being one of the most enjoyable experiences of my life (thus far). It was like my first love in many ways: it was my first completed novel, and anything I've written since, I've unconsciously compared to it. And though my writing has since matured, I still like to read this from time to time and reflect on how inspired and happy I was. After all, I would feel shameful about not putting it out there, when the people mentioned below know it just as well (if not better) than I do. These people helped in my creative process more than they realize. Some stayed up nights with me coming up with titles, names and new ideas, some said that they were similar to the characters. But they all read and listened to me go on and on about it, partially out of love for me and out of genuine love for the book itself. Without further adieu, this book is dedicated to Dea Sloan, who read my ratty mead notebooks in 10th grade band and thought that they were the best things in the world. To Alonzo Dent, who stayed up with me until sunrise coming up with titles for this book, who answered every single one of my asinine questions. To Princess Valentine, who hated when I gave her random chapters that weren’t in order, who always wanted me to do this. To Kashif Norville, for patiently listening to every single one of my ideas, good or bad, long or short. I love you all.