William Hazelgrove

William Hazelgrove

About

Born in Richmond, Virginia, and carted back and forth between Virginia and Baltimore, I blame my rootless, restless personality on my father. He was and is a traveling salesman with a keen gift of gab, great wit, a ready joke, and could sell white tennis shoes to coal miners.

It was during these sojourns up and down the east coast I soaked up the stories that would later be Tobacco Sticks and Mica Highways. I think authors should exploit their family history before raping the rest of the culture for material.

Dad finally got tired of the east and moved to the Midwest when I was fourteen. We settled outside of Chicago. It is here I came of age and went off to college for seven years -- two degrees and one novel later I returned to Chicago and lived in many different apartments, trying to get a little two hundred page manuscript called Ripples published.

When a local printer said he would take a chance on my book, I jumped and had my first novel published by a man who had never published anything. Great reviews and moderate sales put me back to my jobs as a janitor, baker, waiter, construction worker, teacher, real estate tycoon, mortgage broker, professor, security guard, salesman -- anything to make a buck and keep writing. The printer lost his mind and published my second novel, too. That landed me with Bantam after some rave reviews and a paperback auction for my second novel, Tobacco Sticks.

A third novel, Mica Highways, was sold on less than one hundred and fifty pages to Bantam and then I did a strange thing -- I settled down to writing in Ernest Hemingway's birthplace in Oak Park, Illinois. I have since been looking for the Great American Novel up in the old red oak rafters and I think I might have finally found one... we'll see.

A Shadow in Yucatan

A Shadow in Yucatan

0.0
0 ratings

Description

<p>A mythical jewel of a story… A true story told on a beach in Yucatan, A Shadow tells Stephanie's story but it was also the story of the golden time. Its nostalgia sings like cicadas in the heat.</p><p>An American ‘Under Milkwood’, this distilled novel of the Sixties evokes the sounds, music and optimism on the free-wheelin streets and parks of Coconut Grove. You can hear Bob Dylan still strumming acoustic; smoke a joint with Fred Neil; and Everybody’s Talkin is carried on the wind.</p><p>Stephanie, a young hairdresser living in lodgings finds herself pregnant. Refused help from her hard Catholic mother in New York, unable to abort her baby, she accepts the kindness of Miriam, her Jewish landlady, whose own barren life spills into compassionate assistance for the daughter she never had.</p><p>The poignancy of its ending, its generosity and acceptance, echoes the bitter disappointment of those of us who hoped for so much more, but who remember its joy, and its promise, as though untarnished by time.</p>

Story Behind The Book

Reviews

American Library Association Editors Choice Award <br />A New Generations Effort to Reimagine Catcher in the Rye for themselves<br />                                                                          UPI<br />Moments of riveting power and poetic language...Library Journal