Involution-An Odyssey Reconciling Science to God
Description
<p>“<em>We are not human beings having a spiritual experience; we are spiritual beings having a human experience.”(</em>Teilhard de Chardin<em>)</em></p><p><span style="line-height:1.6em;"><em>Involution-An Odyssey Reconciling Science to God </em> is as layered as a French cassoulet, as diverting, satisfying and as rich. Each reader will spoon this book differently. On the surface it seems to be a simple and light-hearted poetic journey through the history of Western thought, dominantly scientific, but enriched with painting and music. Beneath that surface is the sauce of a new evolutionary idea, involution; the informing of all matter by consciousness, encoded and communicating throughout the natural world. A book about the cathedral of consciousness could have used any language to paint it, but science is perhaps most in need of new vision, and its chronology is already familiar.</span></p><p><span style="line-height:1.6em;">The author offers a bold alternative vision of both science and creation: she suggests that science has been incrementally the recovery of memory, the memory of evolution/involution</span><em style="line-height:1.6em;">.</em></p><p>“<em> Involution proposes that humans carry within them the history of the universe, which is (re)discovered by the individual genius when the time is ripe. All is stored within our DNA and awaits revelation. Such piecemeal revelations set our finite lives in an eternal chain of co-creation and these new leaps of discovery are compared to mystical experience</em>” (From a reviewer)</p><p>Each unique contributor served the collective and universal return to holism and unity. Thus the geniuses of the scientific journey, like the spiritual visionaries alongside, have threaded the rosary of science with the beads of inspiration, and through them returned Man to his spiritual nature and origin.</p><p><span style="line-height:1.6em;">The separation between experience and the rational intellect of science has, by modelling memory as theory, separated its understanding from the consciousness of all, and perceives mind and matter as separate, God and Man as distinct. This work is a dance towards their re-unification: Saints and scientists break the same bread.</span></p><p><span style="line-height:1.6em;">All of time and all the disciplines of science are needed for the evidence. Through swift (and sometimes sparring) Cantos of dialogue between Reason and Soul, Philippa Rees takes the reader on a monumental journey through the history of everything – with the evolution of man as one side of the coin and involution the other. The poetic narrative is augmented by learned and extensive footnotes offering background knowledge which in themselves are fascinating. In effect there are two books, offering a right and left brain approach. The twin spirals of a DNA shaped book intertwine external and internal and find, between them, one journey, Man’s recovery of Himself., and (hopefully) the Creation’s recovery of a nobler Man.</span></p><p><span style="line-height:1.6em;">From the same review “</span><em style="line-height:1.6em;">The reader who finishes the book will not be the same as the one who began it. New ideas will expand the mind but more profoundly, the deep, moving power of the verse will affect the heart.</em></p><p><em>(Marianne Rankin: Director of Communications, Alister Hardy Trust)</em></p><p> </p>
Story Behind The Book
If you’re a fan of Shakespeare’s play about Richard II—like I was—you might be surprised to discover that the tragic ending was the culmination of 20+ years of struggle between the young king and his nobles—especially his own family. Richard did not have an easy time of it from the very beginning. Crowned at age 10, he faced the horrific Peasants’ Revolt at only 14, and still managed to save the day when his elders failed to support him. Throughout his minority he was at odds with his uncles—first John of Gaunt, and then almost fatally with Thomas of Woodstock, the Duke of Gloucester, who persuaded Parliament to execute and outlaw Richard’s friends and advisors. Henry of Bolingbroke, who deposed him at the end of the play, was Richard’s first cousin. With a family like that, who needs enemies? A KING UNDER SIEGE is volume one of “The Plantagenet Legacy” and takes us through the king’s minority which lasted until he was twenty-two, setting the stage for the king’s retribution and final downfall.
Reviews
<p><span>I thought the portrayal of Richard II was a historical triumph. Richard grows from this unsure youth to a man who is facing a war from those who should be on his side. Forget the war with France, it is the war within parliament that Richard has to try to win. </span><span>This story is rich in historical detail. It has so obviously been meticulously researched. I cannot but commend Rochelle for this exceptional work of scholarship. </span><span>A King Under Siege: Book One of The Plantagenet Legacy is one of those books that once started is impossible to put down. This book is filled with non-stop action. There are enough plots and conspiracies to satisfy any lover of historical fiction. This is storytelling at its very best." <i>Mary Anne Yarde from Myths, Legends, Books & Coffee Pots blog</i></span></p>
