Part Native American and part Scandinavian/Celtic mix, the world of the white man knows him as Charlie. His Native American name is Sanyasuk Andekshkwe in the Algonquin language of his ancestors (Potawatomi)... or Silver Crow, as his family and friends know him. Writer, artist and mystic, he has devoted the latter half of his life to a quest for spiritual truth. Now, having attained the age of Elder by the standards of the tribe, he shares his unique, gentle wisdom with all who seek him out.
<p>Emerging from the long shadow cast by his formidable father, Harold Godwineson showed himself to be a worthy successor to the Earldom of Wessex. In the following twelve years, he became the King's most trusted advisor, practically taking the reins of government into his own hands. And on Edward the Confessor's death, Harold Godwineson mounted the throne—the first king of England not of royal blood. Yet Harold was only a man, and his rise in fortune was not blameless. Like any person aspiring to power, he made choices he wasn't particularly proud of. Unfortunately, those closest to him sometimes paid the price of his fame.<br /><br />This is a story of Godwine's family as told from the viewpoint of Harold and his younger brothers. Queen Editha, known for her Vita Ædwardi Regis, originally commissioned a work to memorialize the deeds of her family, but after the Conquest historians tell us she abandoned this project and concentrated on her husband, the less dangerous subject. In THE SONS OF GODWINE and FATAL RIVALRY, I am telling the story as it might have survived had she collected and passed on the memoirs of her tragic brothers.<br /><br />This book is part two of The Last Great Saxon Earls series. Book one, GODWINE KINGMAKER, depicted the rise and fall of the first Earl of Wessex who came to power under Canute and rose to preeminence at the beginning of Edward the Confessor's reign. Unfortunately, Godwine's misguided efforts to champion his eldest son Swegn recoiled on the whole family, contributing to their outlawry and Queen Editha's disgrace. Their exile only lasted one year and they returned victorious to London, though it was obvious that Harold's career was just beginning as his father's journey was coming to an end.<br /><br />Harold's siblings were all overshadowed by their famous brother; in their memoirs we see remarks tinged sometimes with admiration, sometimes with skepticism, and in Tostig's case, with jealousy. We see a Harold who is ambitious, self-assured, sometimes egocentric, imperfect, yet heroic. His own story is all about Harold, but his brothers see things a little differently. Throughout, their observations are purely subjective, and witnessing events through their eyes gives us an insider’s perspective.<br /><br />Harold was his mother's favorite, confident enough to rise above petty sibling rivalry but Tostig, next in line, was not so lucky. Harold would have been surprised by Tostig's vindictiveness, if he had ever given his brother a second thought. And that was the problem. Tostig's love/hate relationship with Harold would eventually destroy everything they worked for, leaving the country open to foreign conquest. This subplot comes to a crisis in book three of the series, FATAL RIVALRY.</p>
My intention in writing the book was to incorporate my Native American heritage and interest in metaphysics into a theme that had the impact of the Celestine Prophecy and the global intrigue of the DaVinci Code, adding A Course in Miracles in the spin... In many ways I believe that all the characters exist, perhaps in some undiscovered parallel universe. As the storyline started to unfold I observed that my attention would be drawn to something that randomly occurred around me or in the news... and it was the exact bit of information/event/discovery that was needed for the next part of the plot, so a lot of the situations in the book are real events or things... both past and present. I was raised by my grandparents and my grandfather was a full blood Potawatomi who shared his spiritual and tribal heritage with me in an ongoing silent dialogue that remains central to my character today, 50 years and more later. A large part of the book is biographical and, on some occasions, somewhat intimate as to the revelation of what makes a "halfbreed" in the 21st Century tick. Ultimately, The Story is a vision of hope and what might be the salvation of the human experience on planet earth.
<p class="MsoNormal"><span style="color:#111111;font-size:13px;">“The Story: A Song by Silvercrow” is a mind-altering romp through the parallel worlds of Native American culture and the ancient Near East. Mystery, mysticism, travelogue, cookbook, quest, comedy, no one who enters this kaleidescopic kingdom will emerge the same.</span></p> <p></p> <p class="MsoNormal"><em><span style="color:#111111;">T. Kazanjian</span></em></p> <p></p> <p style="font-family:'Times New Roman';" class="MsoNormal"><span style="color:#111111;font-size:14px;">Just finished reading the Story: A Song of Silver Crow...What a great read! John Le Carre has nothing onSilver Crow! After I started, could not let it go until I finished it. I look forward to further adventures of Charlie and his coherts!</span></p> <p></p> <p class="MsoNormal"><em><span style="color:#111111;">Y. Baruch</span></em></p> <p></p>