About
I have been writing andcomposing since the day that I created a prelude, composing some notes(which I still have recorded on my brain) on a small piano toy at theage of three. But I first put my two feet at the theatre, playing theflute to a big audience at Mackenzie Institute, when I was seven yearsold. Since then I fell in love with the performing world. Then Igraduated in Arts in 1990 with license in Artistic Education at theUniversity FAAP in Sao Paulo. I started my career at an early age,performing in the Opera Carmina Burana at the Opera House in SaoPaulo, also dancing for the Young Ballet of Sao Paulo, at TheNutcracker for the Metropolitan Ballet Theatre in Washington D.C. I started to write andillustrate my poetic books and fictions when I was nine, just toentertain myself but I always dreamed of making other kids enjoy mycreations as well. When I was eleven years old I created a series ofcomic books, which I still keep on my hometown treasure island ofSantos in Brazil. Since then, I wrote novels for adults based upon mylife and Picture Books and Nursery Rhymes for children. I wrote poemsand short-stories for an anthology by Mackenzie Publishing (1984). Iillustrated the cover of the magazine Magia in 1990 (Editora Ondas). Mypoems were published on the National Literary Magazine "Mirante"(sept/2006) and on the ezine Aphelion (July/2007). One of my stories ispart of the anthology Spiritual Visitations by Zumaya Publications and I recently published "Life is Too Short...Make it a Big Shot" by Devine Destines. My writings can also be found on another anthology"A Thousand Voices" by Adventures Books of Seattle.
Description
<p><strong><em>Have you ever awoken from a vivid dream and wondered which side of waking was real?</em></strong></p><p>Burt Higgins' retirement is not going well. His children have grown, and his wife has gone off to earn a late-life degree, leaving him alone in his sprawling suburban home. With too much time on his hands, he broods on the state of the world, obsessively following the worst of cable news and the Internet. Increasingly angry at the state of affairs, he nurtures a fantasy that a dark lord from another realm has foisted these problems on humankind. If only he could transport to that world, he'd confront the demon and use the magic found there to defeat the beast and end despair forever.</p><p>On a particularly bad news day, while housebound in the midst of a snowstorm, he retreats to his study to shut out the world and immerse himself in his books. When, on a whim, he lights a candle purchased in an obscure Prague curiosity shop, a magical guide appears and offers to take him on whatever quest he chooses. When he asks to become a hero in a fantasy realm, he discovers a more complex world than he expected, and battling evil with magic turns out to be far from his greatest challenge.</p><p><strong>EVOLVED PUBLISHING PRESENTS</strong> a specualtive fantasy adventure sure not just to entertain you, but to make you consider your life, your dreams, your goals. [DRM-Free]</p><h2><strong>Books by David Litwack:</strong></h2><ul><li><em>Along the Watchtower</em></li><li><em>The Daughter of the Sea and the Sky</em></li><li><em>The Time That's Given</em></li><li><em>The Children of Darkness</em> (The Seekers - Book 1)</li><li><em>The Stuff of Stars</em> (The Seekers - Book 2)</li><li><em>The Light of Reason</em> (The Seekers - Book 3)</li></ul><h2><strong>More Great Fantasy Fiction from Evolved Publishing:</strong></h2><ul><li><em>The Awakening of David Rose</em> (David Rose #1) by Daryl Rothman</li><li><em>Shadow Swarm</em> by D. Robert Pease</li><li><em>Kingdom in Chains</em> by J.W. Zulauf</li><li>The "Grims' Truth" Series by Isu Yin & Fae Yang</li></ul><p> </p>
Story Behind The Book
This tale first appeared into my mind as images. I started to illustrate the story that came up in my head like a movie that played, and the characters appeared to be so alive that I dip deep down into the scenes, making them very real to me. Then I narrated what they were trying to tell, in verse, for that's how I saw the scenes as lyrical portraits of a vivid story.
