J. Timothy King

J. Timothy King

About

J. Timothy King is a stay-at-home father of two daughters, the husband of a wonderful wife, and an indie author of life-expanding, contemporary romance novels and other works. When not writing, he reads, plays bass guitar, and cares for his family in their Boston-area apartment.

Outta Time

Outta Time

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Description

<p> </p><p>Sophie is a psychic medium and animal communicator. She runs a small crystal shop called, Outta Time. The shop</p><p>Is located in a small district called Lents in Portland, Oregon.</p><p>Nick is a man who if you can't touch it, feel it or see it then it doesn't exist. He is sure she is a phony psychic who is bilking money out of his mother and he intends to expose her.</p><p>Sophie sees him as a non-believer, someone who could never understand her or her way of life. She is attracted to him but knows there can be no future for them unless he can be made to understand what her world is all about.</p><p>Their Guardian Angels get into the act to guide the two to a better understanding of each other.</p><p>Nick's Guardians help his deceased Father get through to Nick and help him to understand that death is not the end. He soon learns there can be communication between the living and the dead.</p>

Story Behind The Book

Ray Bradbury wrote 65 episodes of a science-fiction anthology series called <em>The Ray Bradbury Theater</em>, from the mid-eighties and into the nineties. I managed to catch a bunch of the episodes when they reran on the Sci-Fi Channel, back when it was still spelled “Sci-Fi.” <em>The Ray Bradbury Theater</em> opened with a shot of Ray Bradbury riding up an elevator and walking into a tiny, upper room, stuffed with junk... and a typewriter. Bradbury narrates with a voice-over: “People ask, ‘Where <em>do</em> you get your ideas?’ Well, right here. All this is mine... I’ll never starve here. I just look around, find what I need, and begin... “Well then, right now, what shall it be?” He looks around the room. “Out of all this, what do I choose to make a story?” Indeed, every story starts with a single idea. In my case, <em>From the Ashes of Courage</em> started with a comment a fictional character made on some TV show or movie. The character was relating a story about his parents. They had become empty-nesters and like many new empty-nesters, they discovered had grown apart and didn’t know each other any more. So to save the relationship, his father asked his wife out on a first date, as if they had never met before, and they began falling in love all over again. Soon after, I wrote in my idea journal, an idea for a story about a divorcée and her ex-husband, who divorced after having drifted apart, and who meet each other on a blind date and start falling in love with each other all over again. From the beginning, I knew the basic plot, up to the first kiss. In my original idea, he drove her home—I have no idea why—and opened the car door for her. As she stepped out of the car, she told him she was <em>not</em> going to invite him in. And he responded that he didn’t want to come in, because he knew that if they made love, he would <em>fall</em> in love with her. “But,” he said, “I <em>am</em> going to kiss you.” And he did. <a href="http://blog.jtimothyking.com/2009/12/15/sneak-peek-the-kiss">That kiss</a> survived in the final manuscript.

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