I was the first boy in Britain to meet a Dalek in the flesh (so to speak) when my Dad took me to the BBC workshops one dark January night in 1964. That early experience probably explains quite a lot. After a childhood spent daydreaming about aliens and vampires, I discovered Marvel Comics and happily gave up all connection with reality to immerse myself in the marvellous worlds of Steve Ditko, Jack Kirby, John Romita, Jim Steranko and Neal Adams. Every Saturday I used to head doggedly from newsagent to newsagent, searching out the latest Iron Man or Spider-man comics, which I would buy for 10d each (that’s about 4p in your fancy modern digital money). Since those halcyon days I've written a lot of books. Really, a lot. If you put a copy of every one of my books in a suitcase then you’d need to get a friend to help you lift it. My favorites among my own books are Heart of Ice, a sci-fi interactive adventure story where the Côte d’Azur is a jungle and the Sahara is covered in snow, and my current project, Mirabilis, a comic book epic in the making. I'd say that my fantasy writing has been most influenced by Lord Dunsany, Jack Vance, Mike Mignola and Neil Gaiman, but I should stress that none of those gentlemen is personally to blame.
<p>“<em>We are not human beings having a spiritual experience; we are spiritual beings having a human experience.”(</em>Teilhard de Chardin<em>)</em></p><p><span style="line-height:1.6em;"><em>Involution-An Odyssey Reconciling Science to God </em> is as layered as a French cassoulet, as diverting, satisfying and as rich. Each reader will spoon this book differently. On the surface it seems to be a simple and light-hearted poetic journey through the history of Western thought, dominantly scientific, but enriched with painting and music. Beneath that surface is the sauce of a new evolutionary idea, involution; the informing of all matter by consciousness, encoded and communicating throughout the natural world. A book about the cathedral of consciousness could have used any language to paint it, but science is perhaps most in need of new vision, and its chronology is already familiar.</span></p><p><span style="line-height:1.6em;">The author offers a bold alternative vision of both science and creation: she suggests that science has been incrementally the recovery of memory, the memory of evolution/involution</span><em style="line-height:1.6em;">.</em></p><p>“<em> Involution proposes that humans carry within them the history of the universe, which is (re)discovered by the individual genius when the time is ripe. All is stored within our DNA and awaits revelation. Such piecemeal revelations set our finite lives in an eternal chain of co-creation and these new leaps of discovery are compared to mystical experience</em>” (From a reviewer)</p><p>Each unique contributor served the collective and universal return to holism and unity. Thus the geniuses of the scientific journey, like the spiritual visionaries alongside, have threaded the rosary of science with the beads of inspiration, and through them returned Man to his spiritual nature and origin.</p><p><span style="line-height:1.6em;">The separation between experience and the rational intellect of science has, by modelling memory as theory, separated its understanding from the consciousness of all, and perceives mind and matter as separate, God and Man as distinct. This work is a dance towards their re-unification: Saints and scientists break the same bread.</span></p><p><span style="line-height:1.6em;">All of time and all the disciplines of science are needed for the evidence. Through swift (and sometimes sparring) Cantos of dialogue between Reason and Soul, Philippa Rees takes the reader on a monumental journey through the history of everything – with the evolution of man as one side of the coin and involution the other. The poetic narrative is augmented by learned and extensive footnotes offering background knowledge which in themselves are fascinating. In effect there are two books, offering a right and left brain approach. The twin spirals of a DNA shaped book intertwine external and internal and find, between them, one journey, Man’s recovery of Himself., and (hopefully) the Creation’s recovery of a nobler Man.</span></p><p><span style="line-height:1.6em;">From the same review “</span><em style="line-height:1.6em;">The reader who finishes the book will not be the same as the one who began it. New ideas will expand the mind but more profoundly, the deep, moving power of the verse will affect the heart.</em></p><p><em>(Marianne Rankin: Director of Communications, Alister Hardy Trust)</em></p><p> </p>
Mirabilis is an epic ongoing fantasy adventure that originally began in Random House's comic The DFC.
<div><span style="font-family:Tahoma;"><span style="font-size:13px;">"</span><span style="font-size:12pt;">A new surprise on almost every page... </span><span style="font-size:12pt;">One of my favourite books of the year." - Book Zone For Boys</span></span></div><div><span style="font-size:12pt;font-family:Tahoma;"><br /></span></div><div><span style="font-family:Tahoma;"><span style="font-size:10pt;color:#222222;background-color:#FFFFFF;">"It's the weird nightmarish things that seep into the story that make Mirabilis really special. </span><span style="background-color:#FFFFFF;color:#222222;font-size:10pt;">I was completely captivated</span><span style="background-color:#FFFFFF;line-height:19px;"><font size="3">." - Lew Stringer</font></span></span></div><span style="font-size:small;line-height:normal;font-family:Tahoma;"></span><div><span style="font-size:small;line-height:normal;"><br /></span></div>"Morris deftly establishes a volatile chemistry between the trio, who are forced to work together as they are drawn into an esoteric conspiracy, centring around an ancient gold coin and the mysterious Royal Mythological Society." - Stephen Jewell, SFX<div><span style="font-size:small;line-height:normal;font-family:Tahoma;"><br /></span></div><div><span style="font-size:small;line-height:normal;font-family:Tahoma;">"My continuing love for Mirabilis just grows and grows. I'm really looking forward to the collection." - Richard Burton, Forbidden Planet International</span><div><span style="font-size:small;line-height:normal;font-family:Tahoma;"><br /></span></div><div style="font-size:12px;"><span style="font-size:small;line-height:normal;font-family:Tahoma;">"The characters and events are believable and the script has a nice flow that is easy to read and lures you into it. There's a nice narrative/storytelling feel to the script, almost musical." - Joe Milone, Kitty's Pryde</span></div></div>