Amazon Review
🔗 http://www.amazon.com/review/R2KCCJ0L7S0UFZ/ref=cm_cr_rdp_perm?tag=freado0c-20
A retired social worker, specializing in child welfare cases, I have now turned to writing—and have published five novels, all available on Amazon.com.
I have four grown children and seven grandchildren.
An avid reader, I also enjoy collecting, traveling and going to the movies.
Favorite authors include: Jodi Picoult, Joy Fielding, Sue Miller, Lisa Unger, Joyce Maynard, etc. There are too many to list.
<p>Emerging from the long shadow cast by his formidable father, Harold Godwineson showed himself to be a worthy successor to the Earldom of Wessex. In the following twelve years, he became the King's most trusted advisor, practically taking the reins of government into his own hands. And on Edward the Confessor's death, Harold Godwineson mounted the throne—the first king of England not of royal blood. Yet Harold was only a man, and his rise in fortune was not blameless. Like any person aspiring to power, he made choices he wasn't particularly proud of. Unfortunately, those closest to him sometimes paid the price of his fame.<br /><br />This is a story of Godwine's family as told from the viewpoint of Harold and his younger brothers. Queen Editha, known for her Vita Ædwardi Regis, originally commissioned a work to memorialize the deeds of her family, but after the Conquest historians tell us she abandoned this project and concentrated on her husband, the less dangerous subject. In THE SONS OF GODWINE and FATAL RIVALRY, I am telling the story as it might have survived had she collected and passed on the memoirs of her tragic brothers.<br /><br />This book is part two of The Last Great Saxon Earls series. Book one, GODWINE KINGMAKER, depicted the rise and fall of the first Earl of Wessex who came to power under Canute and rose to preeminence at the beginning of Edward the Confessor's reign. Unfortunately, Godwine's misguided efforts to champion his eldest son Swegn recoiled on the whole family, contributing to their outlawry and Queen Editha's disgrace. Their exile only lasted one year and they returned victorious to London, though it was obvious that Harold's career was just beginning as his father's journey was coming to an end.<br /><br />Harold's siblings were all overshadowed by their famous brother; in their memoirs we see remarks tinged sometimes with admiration, sometimes with skepticism, and in Tostig's case, with jealousy. We see a Harold who is ambitious, self-assured, sometimes egocentric, imperfect, yet heroic. His own story is all about Harold, but his brothers see things a little differently. Throughout, their observations are purely subjective, and witnessing events through their eyes gives us an insider’s perspective.<br /><br />Harold was his mother's favorite, confident enough to rise above petty sibling rivalry but Tostig, next in line, was not so lucky. Harold would have been surprised by Tostig's vindictiveness, if he had ever given his brother a second thought. And that was the problem. Tostig's love/hate relationship with Harold would eventually destroy everything they worked for, leaving the country open to foreign conquest. This subplot comes to a crisis in book three of the series, FATAL RIVALRY.</p>
<font size="1" face="Times-Roman"><font size="1" face="Times-Roman"></font></font> <p align="left">The burden of child abuse follows Meg Graham from her strict fundamentalist upbringing to the Summer of Love.</p> <p align="left">From the time she is ten years old, Meg is determined to escape her father’s controlling grasp, get an education and marry the man of her choice. As a young woman she reaches her goals, but happiness eludes her.</p> <p align="left">Miserable in her marriage, she takes her toddler son and leaves her controlling husband, builds a satisfying career as a social worker, finds emotional support among new women friends and explores the sexual mores of San Francisco in the ’60s. She rejects the conservative values of her childhood through alcohol, pot and (mostly) fleeting relationships with men. She also changes her name to Lainey. The novel’s multiple subplots reflect the messiness of real life but divert focus from Meg/Lainey as the central character. Two subplots in particular—the machinations of sociopathic Gretchen, who orchestrated a rape to blackmail Lainey, and the complex relationship between the artist Rainbow and Natasha, a social worker who years before caused Rainbow to lose custody of her child—could form the core of the story or a separate novel. The question of whether Meg/Lainey was sexually abused as a child hovers over early chapters, but as the story progresses, it is eclipsed by the novel’s other complexities. Only when Lainey begins hypnotherapy do repressed memories of abuse come to the fore, as does her awareness that she is abusing alcohol to bury her feelings about the past. A retired social worker, Snow does an excellent job of capturing the spirit of the ’60s in clothes, interiors, dialogue and attitudes, but the steady onslaught of new characters and subplots diminishes Meg/Lainey as a character. The relationship between Natasha and Rainbow is the strongest part of the book. As they go through the process of betrayal and forgiveness, they emerge as richer characters than Lainey, who, despite her journey of selfrealization, still comes across as a lost soul.</p> <p align="left">A rambling voyage of discovery through the ’60s.</p><strong><font size="3" face="Times-Bold"><font size="3" face="Times-Bold"></font></font></strong> <p align="left">Snow, Laurel-Rain</p><font size="3" face="Times-Roman"><font size="3" face="Times-Roman"></font></font> <p align="left">WEB OF TYRANNY</p> <p align="left">BookSurge (608 pp.)</p> <p align="left">$23.99 paperback</p> <p align="left">September 3, 2008</p> <p align="left">ISBN: 978-1-4196-5686-6</p><font size="2" face="Times-Roman"><font size="2" face="Times-Roman"></font></font> <p align="left">Kirkus Discoveries, Nielsen Business Media, 770 Broadway, New York, NY 10003</p> <p align="left">discoveries@kirkusreviews.com</p>