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About

A retired social worker, specializing in child welfare cases, I have now turned to writing—and have published five novels, all available on Amazon.com.

I have four grown children and seven grandchildren.

An avid reader, I also enjoy collecting, traveling and going to the movies.

Favorite authors include: Jodi Picoult, Joy Fielding, Sue Miller, Lisa Unger, Joyce Maynard, etc. There are too many to list.

Description

A Serial Killer Plagues an Island Paradise Vigilante detective Emily Stone continues her covert pursuits to find serial killers and child abductors, all under the radar while shadowing police investigations. Emily searches for an abducted nine-year-old girl taken by ruthless and enterprising slave brokers. Following the clues from California to the garden island of Kauai, she begins to piece together the evidence and ventures deep into the jungle. It doesn’t take long before Emily is thrown into the middle of murder, mayhem, and conspiracy. Locals aren’t talking as a serial killer now stalks the island, taking women in a brutal frenzy of ancient superstitions and folklore. Local cops are unprepared for what lies ahead. In a race against the clock, Emily and her team must identify the killer before time runs out.

Reviews

The burden of child abuse follows Meg Graham from her strict fundamentalist upbringing to the Summer of Love. From the time she is ten years old, Meg is determined to escape her father’s controlling grasp, get an education and marry the man of her choice. As a young woman she reaches her goals, but happiness eludes her. Miserable in her marriage, she takes her toddler son and leaves her controlling husband, builds a satisfying career as a social worker, finds emotional support among new women friends and explores the sexual mores of San Francisco in the ’60s. She rejects the conservative values of her childhood through alcohol, pot and (mostly) fleeting relationships with men. She also changes her name to Lainey. The novel’s multiple subplots reflect the messiness of real life but divert focus from Meg/Lainey as the central character. Two subplots in particular—the machinations of sociopathic Gretchen, who orchestrated a rape to blackmail Lainey, and the complex relationship between the artist Rainbow and Natasha, a social worker who years before caused Rainbow to lose custody of her child—could form the core of the story or a separate novel. The question of whether Meg/Lainey was sexually abused as a child hovers over early chapters, but as the story progresses, it is eclipsed by the novel’s other complexities. Only when Lainey begins hypnotherapy do repressed memories of abuse come to the fore, as does her awareness that she is abusing alcohol to bury her feelings about the past. A retired social worker, Snow does an excellent job of capturing the spirit of the ’60s in clothes, interiors, dialogue and attitudes, but the steady onslaught of new characters and subplots diminishes Meg/Lainey as a character. The relationship between Natasha and Rainbow is the strongest part of the book. As they go through the process of betrayal and forgiveness, they emerge as richer characters than Lainey, who, despite her journey of selfrealization, still comes across as a lost soul. A rambling voyage of discovery through the ’60s. Snow, Laurel-Rain WEB OF TYRANNY BookSurge (608 pp.) $23.99 paperback September 3, 2008 ISBN: 978-1-4196-5686-6 Kirkus Discoveries, Nielsen Business Media, 770 Broadway, New York, NY 10003 discoveries@kirkusreviews.com

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Laurel-Rain Snow

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