Michael Bowler

Michael Bowler

About

Michael J. Bowler grew up in San Rafael, California.

He majored in English and Theatre at Santa Clara University and earned a master’s in film production from Loyola Marymount and another master's in Special Education from Cal State University Dominguez Hills.

He partnered with two friends as producer, writer, and/or director on several ultra-low-budget horror films, the reviews of which are much more fun than the movies.

He taught high school in Hawthorne, California for twenty-five years, both in general education and to students with learning disabilities, in subjects ranging from English and Strength Training to Algebra, Biology, and Yearbook.

He has also been a volunteer Big Brother to seven different boys with the Catholic Big Brothers Big Sisters program and a nearly thirty-year volunteer within the juvenile justice system in Los Angeles.  He is a passionate advocate for the fair treatment of children and teens in California, something that is sorely lacking in this state.

He has been honored as Probation Volunteer of the Year, YMCA Volunteer of the Year, California Big Brother of the Year, and National Big Brother of the Year. The “National” honor allowed he and three of his Little Brothers to visit the White House and meet the president in the Oval Office.

 

A Shadow in Yucatan

A Shadow in Yucatan

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<p>A mythical jewel of a story… A true story told on a beach in Yucatan, A Shadow tells Stephanie's story but it was also the story of the golden time. Its nostalgia sings like cicadas in the heat.</p><p>An American ‘Under Milkwood’, this distilled novel of the Sixties evokes the sounds, music and optimism on the free-wheelin streets and parks of Coconut Grove. You can hear Bob Dylan still strumming acoustic; smoke a joint with Fred Neil; and Everybody’s Talkin is carried on the wind.</p><p>Stephanie, a young hairdresser living in lodgings finds herself pregnant. Refused help from her hard Catholic mother in New York, unable to abort her baby, she accepts the kindness of Miriam, her Jewish landlady, whose own barren life spills into compassionate assistance for the daughter she never had.</p><p>The poignancy of its ending, its generosity and acceptance, echoes the bitter disappointment of those of us who hoped for so much more, but who remember its joy, and its promise, as though untarnished by time.</p>

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