About
I have been writing andcomposing since the day that I created a prelude, composing some notes(which I still have recorded on my brain) on a small piano toy at theage of three. But I first put my two feet at the theatre, playing theflute to a big audience at Mackenzie Institute, when I was seven yearsold. Since then I fell in love with the performing world. Then Igraduated in Arts in 1990 with license in Artistic Education at theUniversity FAAP in Sao Paulo. I started my career at an early age,performing in the Opera Carmina Burana at the Opera House in SaoPaulo, also dancing for the Young Ballet of Sao Paulo, at TheNutcracker for the Metropolitan Ballet Theatre in Washington D.C. I started to write andillustrate my poetic books and fictions when I was nine, just toentertain myself but I always dreamed of making other kids enjoy mycreations as well. When I was eleven years old I created a series ofcomic books, which I still keep on my hometown treasure island ofSantos in Brazil. Since then, I wrote novels for adults based upon mylife and Picture Books and Nursery Rhymes for children. I wrote poemsand short-stories for an anthology by Mackenzie Publishing (1984). Iillustrated the cover of the magazine Magia in 1990 (Editora Ondas). Mypoems were published on the National Literary Magazine "Mirante"(sept/2006) and on the ezine Aphelion (July/2007). One of my stories ispart of the anthology Spiritual Visitations by Zumaya Publications and I recently published "Life is Too Short...Make it a Big Shot" by Devine Destines. My writings can also be found on another anthology"A Thousand Voices" by Adventures Books of Seattle.
Involution-An Odyssey Reconciling Science to God
Description
<p>“<em>We are not human beings having a spiritual experience; we are spiritual beings having a human experience.”(</em>Teilhard de Chardin<em>)</em></p><p><span style="line-height:1.6em;"><em>Involution-An Odyssey Reconciling Science to God </em> is as layered as a French cassoulet, as diverting, satisfying and as rich. Each reader will spoon this book differently. On the surface it seems to be a simple and light-hearted poetic journey through the history of Western thought, dominantly scientific, but enriched with painting and music. Beneath that surface is the sauce of a new evolutionary idea, involution; the informing of all matter by consciousness, encoded and communicating throughout the natural world. A book about the cathedral of consciousness could have used any language to paint it, but science is perhaps most in need of new vision, and its chronology is already familiar.</span></p><p><span style="line-height:1.6em;">The author offers a bold alternative vision of both science and creation: she suggests that science has been incrementally the recovery of memory, the memory of evolution/involution</span><em style="line-height:1.6em;">.</em></p><p>“<em> Involution proposes that humans carry within them the history of the universe, which is (re)discovered by the individual genius when the time is ripe. All is stored within our DNA and awaits revelation. Such piecemeal revelations set our finite lives in an eternal chain of co-creation and these new leaps of discovery are compared to mystical experience</em>” (From a reviewer)</p><p>Each unique contributor served the collective and universal return to holism and unity. Thus the geniuses of the scientific journey, like the spiritual visionaries alongside, have threaded the rosary of science with the beads of inspiration, and through them returned Man to his spiritual nature and origin.</p><p><span style="line-height:1.6em;">The separation between experience and the rational intellect of science has, by modelling memory as theory, separated its understanding from the consciousness of all, and perceives mind and matter as separate, God and Man as distinct. This work is a dance towards their re-unification: Saints and scientists break the same bread.</span></p><p><span style="line-height:1.6em;">All of time and all the disciplines of science are needed for the evidence. Through swift (and sometimes sparring) Cantos of dialogue between Reason and Soul, Philippa Rees takes the reader on a monumental journey through the history of everything – with the evolution of man as one side of the coin and involution the other. The poetic narrative is augmented by learned and extensive footnotes offering background knowledge which in themselves are fascinating. In effect there are two books, offering a right and left brain approach. The twin spirals of a DNA shaped book intertwine external and internal and find, between them, one journey, Man’s recovery of Himself., and (hopefully) the Creation’s recovery of a nobler Man.</span></p><p><span style="line-height:1.6em;">From the same review “</span><em style="line-height:1.6em;">The reader who finishes the book will not be the same as the one who began it. New ideas will expand the mind but more profoundly, the deep, moving power of the verse will affect the heart.</em></p><p><em>(Marianne Rankin: Director of Communications, Alister Hardy Trust)</em></p><p> </p>
Story Behind The Book
I have been writing and composing since the day that I created a prelude, composing some notes (which I still have recorded on my brain) on a small piano toy at the age of three. But I first put my two feet at the theatre, playing the flute to a big audience at Mackenzie Institute, when I was seven years old. Since then I fell in love with the performing world. Then I graduated in Arts in 1990 with license in Artistic Education at the University FAAP in Sao Paulo. I started to write and illustrate my poetic books and fictions when I was nine, just to entertain myself but I always dreamed of making other kids enjoy my creations as well. When I was eleven years old I created a series of comic books, which I still keep on my hometown treasure island of Santos in Brazil. Since then, I wrote novels for adults based upon my life and Picture Books and Nursery Rhymes for children.
