Website
🔗 http://libbyhellmann.com
Crime fiction author LibbyFischer Hellmann claims she’s “writing her way around the genre.” With ninenovels and twenty short stories published, she has written thrillers, suspensemysteries, historicals, PI novels, amateur sleuth, police procedurals, and evena cozy. At the core of all her stories, however, is a crime or the possibilityof one -- the more political, the better.
She is a transplant fromWashington, D.C., where, she says, “When you’re sitting around the dinner tablegossiping about the neighbors, you’re talking politics.” Armed with a MastersDegree in Film Production from New York University, and a BA in history fromthe University of Pennsylvania, she started her career in broadcast news. She began as an assistant film editor at NBC Newsin New York, but moved back to DC where she worked with Robin McNeil and JimLehrer at N-PACT, the public affairs production arm of PBS. When Watergatebroke, she was re-trained as an assistant director and helped produce PBS’snight-time broadcasts of the hearings.
In 1978, Hellmann moved toChicago to work at Burson-Marsteller, the large public relations firm, stayinguntil 1985 when she founded Fischer Hellmann Communications. Currently, when not writing, she conducts speaker trainingprograms in platform speaking, presentation skills, media training, and crisiscommunications. Additionally, Libby also writes and produces videos.
Her first novel, AN EYE FOR MURDER, whichfeatures Ellie Foreman, a video producer and single mother, was released in2002. Publishers Weekly called ita “masterful blend of politics, history, and suspense,” and it was nominatedfor several awards. That was followed by three more entries in the EllieForeman series, which Libby describes as a cross between “Desperate Housewives”and “24.”
A few years later, Libby introduced her secondseries featuring hard-boiled Chicago PI Georgia Davis, which Chicago Tribune describes as, “a new no-nonsensedetective …. tough and smart enough to give even the legendary V.I. Warshawskia run for her money.” There arethree books in that series so far: EASY INNOCENCE (2008) and DOUBLEBACK (2009), which wasselected as a Great Lakes Booksellers’ Association “2009 Great Read,” and TOXICITY(2011), a police procedural ebook thriller that became the prequel tothe Georgia Davis series.
Her 7th novel, SETTHE NIGHT ON FIRE, (December, 2010) was a standalone thriller that goesback, in part, to the late Sixties in Chicago. Publishers Weeklydescribes it as “top-rate” and says, “Ajazzy fusion of past and present, Hellman's insightful, politically chargedwhodunit explores a fascinating period in American history.” It wasshort-listed for ForeWord Magazine’s Book of 2010 in the suspense/thrillercategory.
Her most recent novel, ABITTER VEIL, xxx
Libby has also edited a highlyacclaimed crime fiction anthology, CHICAGO BLUES (October, 2007). InMay, 2010, she published a collectionof her own short stories called NICE GIRL DOES NOIR. In 2005-2006she was the National President of Sisters in Crime, a 3,400 plus memberorganization committed to strengthening the voice of female mystery writers.
Libby blogs at “SAY THE WORDAnd You’ll Be Free,” http://libbyhellmann.com/wp, and also at “The Outfit Collective” at www.theoutfitcollective.com.
<p>Emerging from the long shadow cast by his formidable father, Harold Godwineson showed himself to be a worthy successor to the Earldom of Wessex. In the following twelve years, he became the King's most trusted advisor, practically taking the reins of government into his own hands. And on Edward the Confessor's death, Harold Godwineson mounted the throne—the first king of England not of royal blood. Yet Harold was only a man, and his rise in fortune was not blameless. Like any person aspiring to power, he made choices he wasn't particularly proud of. Unfortunately, those closest to him sometimes paid the price of his fame.<br /><br />This is a story of Godwine's family as told from the viewpoint of Harold and his younger brothers. Queen Editha, known for her Vita Ædwardi Regis, originally commissioned a work to memorialize the deeds of her family, but after the Conquest historians tell us she abandoned this project and concentrated on her husband, the less dangerous subject. In THE SONS OF GODWINE and FATAL RIVALRY, I am telling the story as it might have survived had she collected and passed on the memoirs of her tragic brothers.<br /><br />This book is part two of The Last Great Saxon Earls series. Book one, GODWINE KINGMAKER, depicted the rise and fall of the first Earl of Wessex who came to power under Canute and rose to preeminence at the beginning of Edward the Confessor's reign. Unfortunately, Godwine's misguided efforts to champion his eldest son Swegn recoiled on the whole family, contributing to their outlawry and Queen Editha's disgrace. Their exile only lasted one year and they returned victorious to London, though it was obvious that Harold's career was just beginning as his father's journey was coming to an end.<br /><br />Harold's siblings were all overshadowed by their famous brother; in their memoirs we see remarks tinged sometimes with admiration, sometimes with skepticism, and in Tostig's case, with jealousy. We see a Harold who is ambitious, self-assured, sometimes egocentric, imperfect, yet heroic. His own story is all about Harold, but his brothers see things a little differently. Throughout, their observations are purely subjective, and witnessing events through their eyes gives us an insider’s perspective.<br /><br />Harold was his mother's favorite, confident enough to rise above petty sibling rivalry but Tostig, next in line, was not so lucky. Harold would have been surprised by Tostig's vindictiveness, if he had ever given his brother a second thought. And that was the problem. Tostig's love/hate relationship with Harold would eventually destroy everything they worked for, leaving the country open to foreign conquest. This subplot comes to a crisis in book three of the series, FATAL RIVALRY.</p>
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