J. Timothy King

J. Timothy King

About

J. Timothy King is a stay-at-home father of two daughters, the husband of a wonderful wife, and an indie author of life-expanding, contemporary romance novels and other works. When not writing, he reads, plays bass guitar, and cares for his family in their Boston-area apartment.

Fatal Rivalry: Part Three of The Last Great Saxon Earls

Fatal Rivalry: Part Three of The Last Great Saxon Earls

0.0
0 ratings

Description

<p>In 1066, the rivalry between two brothers brought England to its knees. When Duke William of Normandy landed at Pevensey on September 28, 1066, no one was there to resist him. King Harold Godwineson was in the north, fighting his brother Tostig and a fierce Viking invasion. How could this have happened? Why would Tostig turn traitor to wreak revenge on his brother?<br />The Sons of Godwine were not always enemies. It took a massive Northumbrian uprising to tear them apart, making Tostig an exile and Harold his sworn enemy. And when 1066 came to an end, all the Godwinesons were dead except one: Wulfnoth, hostage in Normandy. For two generations, Godwine and his sons were a mighty force, but their power faded away as the Anglo-Saxon era came to a close.</p>

Story Behind The Book

Ray Bradbury wrote 65 episodes of a science-fiction anthology series called <em>The Ray Bradbury Theater</em>, from the mid-eighties and into the nineties. I managed to catch a bunch of the episodes when they reran on the Sci-Fi Channel, back when it was still spelled “Sci-Fi.” <em>The Ray Bradbury Theater</em> opened with a shot of Ray Bradbury riding up an elevator and walking into a tiny, upper room, stuffed with junk... and a typewriter. Bradbury narrates with a voice-over: “People ask, ‘Where <em>do</em> you get your ideas?’ Well, right here. All this is mine... I’ll never starve here. I just look around, find what I need, and begin... “Well then, right now, what shall it be?” He looks around the room. “Out of all this, what do I choose to make a story?” Indeed, every story starts with a single idea. In my case, <em>From the Ashes of Courage</em> started with a comment a fictional character made on some TV show or movie. The character was relating a story about his parents. They had become empty-nesters and like many new empty-nesters, they discovered had grown apart and didn’t know each other any more. So to save the relationship, his father asked his wife out on a first date, as if they had never met before, and they began falling in love all over again. Soon after, I wrote in my idea journal, an idea for a story about a divorcée and her ex-husband, who divorced after having drifted apart, and who meet each other on a blind date and start falling in love with each other all over again. From the beginning, I knew the basic plot, up to the first kiss. In my original idea, he drove her home—I have no idea why—and opened the car door for her. As she stepped out of the car, she told him she was <em>not</em> going to invite him in. And he responded that he didn’t want to come in, because he knew that if they made love, he would <em>fall</em> in love with her. “But,” he said, “I <em>am</em> going to kiss you.” And he did. <a href="http://blog.jtimothyking.com/2009/12/15/sneak-peek-the-kiss">That kiss</a> survived in the final manuscript.

Reviews