Description
<p>FRIENDS IN HIGH PLACES<br /><br />At barely nineteen, Angelica Donovan became one of the more successful winners of the T.V. show Our Next Super Model. The world assumed she was destined for a happy, fairy tale life as ‘Angel,’ the beautiful girl who was living the dream; sadly, that wasn’t to be the case. As the years passed, she flashed her million dollar smile to all her fans and fought to stay on top in a profession where you never knew who it was safe to trust while the fashion industry took big bites out of her heart and soul. And trust was a constant challenge for Angel due to the painful childhood secret she guarded as carefully as she did her heart. As a result, she never did find her true love on earth.<br /><br />When she wakes up ‘dead’ from a heart condition a month before her thirty-fifth birthday, Angel is at first relieved to find there is no death, just a change of state, like ice to water, and then she’s scared because her biggest and most important adventure is about to begin.<br /><br />Angelica is chosen to be an angel in training as a spirit guide for three souls on earth! Her assignment is to help two women to gain the courage and confidence to find, recognize and embrace the love that had eluded Angel in life. But her biggest challenge will be to save a very special little girl from the same evil experience that had poisoned Angel’s own earthly happiness and altered the course of her life.<br /><br />Will Angel be able to heal her own shattered soul in the process? And will the three souls she is guiding be able to recognize her, not as a ghostly threat, but as one of those ‘friends in high places’ we all have; the kind who often end up earning their wings.<br /><br /> </p>
Story Behind The Book
Ray Bradbury wrote 65 episodes of a science-fiction anthology series called <em>The Ray Bradbury Theater</em>, from the mid-eighties and into the nineties. I managed to catch a bunch of the episodes when they reran on the Sci-Fi Channel, back when it was still spelled “Sci-Fi.” <em>The Ray Bradbury Theater</em> opened with a shot of Ray Bradbury riding up an elevator and walking into a tiny, upper room, stuffed with junk... and a typewriter.
Bradbury narrates with a voice-over: “People ask, ‘Where <em>do</em> you get your ideas?’ Well, right here. All this is mine... I’ll never starve here. I just look around, find what I need, and begin...
“Well then, right now, what shall it be?” He looks around the room. “Out of all this, what do I choose to make a story?”
Indeed, every story starts with a single idea. In my case, <em>From the Ashes of Courage</em> started with a comment a fictional character made on some TV show or movie. The character was relating a story about his parents. They had become empty-nesters and like many new empty-nesters, they discovered had grown apart and didn’t know each other any more. So to save the relationship, his father asked his wife out on a first date, as if they had never met before, and they began falling in love all over again.
Soon after, I wrote in my idea journal, an idea for a story about a divorcée and her ex-husband, who divorced after having drifted apart, and who meet each other on a blind date and start falling in love with each other all over again.
From the beginning, I knew the basic plot, up to the first kiss. In my original idea, he drove her home—I have no idea why—and opened the car door for her. As she stepped out of the car, she told him she was <em>not</em> going to invite him in. And he responded that he didn’t want to come in, because he knew that if they made love, he would <em>fall</em> in love with her.
“But,” he said, “I <em>am</em> going to kiss you.” And he did.
<a href="http://blog.jtimothyking.com/2009/12/15/sneak-peek-the-kiss">That kiss</a> survived in the final manuscript.