Pat Ballard

Pat Ballard

About

Pat Ballard is the Queen of Rubenesque Romances and author of 10 Steps to Loving Your Body (No Matter What Size You Are).

Size Zero (Visage Book 1)

Size Zero (Visage Book 1)

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Description

<p style="margin:0px 0px 14px;padding:0px;font-family:Arial, sans-serif;font-size:14px;"><strong>&quot;A somber, disturbing mystery fused with a scathing look at the fashion industry. </strong><strong>Mangin writes in a confident, razor-edged style.&quot;</strong><strong> - Kirkus Reviews</strong></p><p style="margin:-4px 0px 14px;padding:0px;font-family:Arial, sans-serif;font-size:14px;"><strong>Condom dresses and space helmets have debuted on fashion runways.</strong></p><p style="margin:-4px 0px 14px;padding:0px;font-family:Arial, sans-serif;font-size:14px;">A dead body becomes the trend when a coat made of human skin saunters down fashion's biggest stage. The body is identified as Annabelle Leigh, the teenager who famously disappeared over a decade ago from her boyfriend's New York City mansion.</p><p style="margin:-4px 0px 14px;padding:0px;font-family:Arial, sans-serif;font-size:14px;">This new evidence casts suspicion back on the former boyfriend, Cecil LeClaire. Now a monk, he is forced to return to his dark and absurd childhood home to clear his name. He teams up with Ava Germaine, a renegade ex-model. And together, they investigate the depraved and lawless modeling industry behind Cecil's family fortune.</p><p style="margin:-4px 0px 14px;padding:0px;font-family:Arial, sans-serif;font-size:14px;">They find erotic canes, pet rats living in crystal castles, and dresses made of crushed butterfly wings. But Cecil finds more truth in the luxury goods than in the people themselves. Everyone he meets seems to be wearing a person-suit. Terrified of showing their true selves, the glitterati put on flamboyant public personas to make money and friends. Can Cecil find truth in a world built on lies?</p><p style="margin:-4px 0px 0px;padding:0px;font-family:Arial, sans-serif;font-size:14px;"><strong>In high fashion modeling, selling bodies is organized crime.</strong></p>

Story Behind The Book

Reviews

<p align="right"> <em><font size="2" color="#111111" face="Verdana">Pat Ballard, the self-described “Queen of Rubenesque Romance,” herein tackles an entrenched stereotype of conventional romantic fiction — the perpetually skinny heroine — and successfully turns it on its bony derriere. </font></em> </p> <p align="right"><em><font size="2" color="#111111" face="Verdana">This collection of ten short stories feature women who are just that: all woman. There’s not one ultra-slim fashion model in the bunch. Their curves are all there and they make no apology for them, whether these ladies work their own cattle ranch, run an antique store or work as an executive secretary in the big city. What this means is that the vast majority of romance aficionados can relate very well to these shapely women who dare to wear larger dress sizes. Better yet, the handsome heroes depicted all appreciate curvaceous heroines, too. </font></em> </p> <p align="right"><em><font size="2" face="Verdana">In fact, some of these short stories could be more appropriately labeled “coming-to-terms” tales since they feature a young woman’s search for self-esteem that isn’t skin deep. In “Freedom” Molly’s boyfriend Mike is shocked when he discovers she comes from a family of large-sized women, because Molly has been starving herself for years in order to remain thin. When Mike issues an ultimatum that after they marry Molly had better not gain any weight, she realizes that he only loves her for her outward appearance and not because of who she is. Armed with this knowledge, she dumps him and eventually finds peace within herself and with her size.</font></em></p> <p align="right"><font size="2" face="Verdana"><em>Ballard doesn’t pull punches. She shows her heroines exhibiting ample will and tenacity to tell off those who would shame them into becoming something they aren’t just to blend in with society's narrow-minded notions of beauty. There’s no guilt in being a big, beautiful heroine in <strong>Dangerous Curves Ahead</strong>, and that is itself a formula for a classic happy ending</em>.</font></p><p align="right"><font size="2" face="Verdana">— <strong> C.APPEL </strong> •<strong>  FEARLESS BOOKS</strong><br />8-10/04 </font> </p>