Ray Anyasi is the author of several books which include; Ujasiri, Bloodline and This Town: a postcard of terror. His writing influence is majorly the extraordinary stories of ordinary people who have to confront monstrous challenges they do not orchestrate, yet must overcome. He is also a poet and has published a poetry collection, "Lines of Thoughts", that includes the acclaimed Ogbanje. Anyasi has contributed articles severally to The Guardian Express and continues to partake in the global conversations that concerns political and social developments; his book, How to Terrorize Terrorism is one of such contributions.Fresh out of the University, Anyasi published his first book, A Poll of Vampires, a political crime thriller. Since then he has published over twenty titles. Anyasi is also a certified Copywriter and Content Developer. He currently works for Naphtali Publishers as Director of Publishing. His current hobbies are tending a backyard vegetable garden and engaging fans of his craft on social media.
<p>“<em>We are not human beings having a spiritual experience; we are spiritual beings having a human experience.”(</em>Teilhard de Chardin<em>)</em></p><p><span style="line-height:1.6em;"><em>Involution-An Odyssey Reconciling Science to God </em> is as layered as a French cassoulet, as diverting, satisfying and as rich. Each reader will spoon this book differently. On the surface it seems to be a simple and light-hearted poetic journey through the history of Western thought, dominantly scientific, but enriched with painting and music. Beneath that surface is the sauce of a new evolutionary idea, involution; the informing of all matter by consciousness, encoded and communicating throughout the natural world. A book about the cathedral of consciousness could have used any language to paint it, but science is perhaps most in need of new vision, and its chronology is already familiar.</span></p><p><span style="line-height:1.6em;">The author offers a bold alternative vision of both science and creation: she suggests that science has been incrementally the recovery of memory, the memory of evolution/involution</span><em style="line-height:1.6em;">.</em></p><p>“<em> Involution proposes that humans carry within them the history of the universe, which is (re)discovered by the individual genius when the time is ripe. All is stored within our DNA and awaits revelation. Such piecemeal revelations set our finite lives in an eternal chain of co-creation and these new leaps of discovery are compared to mystical experience</em>” (From a reviewer)</p><p>Each unique contributor served the collective and universal return to holism and unity. Thus the geniuses of the scientific journey, like the spiritual visionaries alongside, have threaded the rosary of science with the beads of inspiration, and through them returned Man to his spiritual nature and origin.</p><p><span style="line-height:1.6em;">The separation between experience and the rational intellect of science has, by modelling memory as theory, separated its understanding from the consciousness of all, and perceives mind and matter as separate, God and Man as distinct. This work is a dance towards their re-unification: Saints and scientists break the same bread.</span></p><p><span style="line-height:1.6em;">All of time and all the disciplines of science are needed for the evidence. Through swift (and sometimes sparring) Cantos of dialogue between Reason and Soul, Philippa Rees takes the reader on a monumental journey through the history of everything – with the evolution of man as one side of the coin and involution the other. The poetic narrative is augmented by learned and extensive footnotes offering background knowledge which in themselves are fascinating. In effect there are two books, offering a right and left brain approach. The twin spirals of a DNA shaped book intertwine external and internal and find, between them, one journey, Man’s recovery of Himself., and (hopefully) the Creation’s recovery of a nobler Man.</span></p><p><span style="line-height:1.6em;">From the same review “</span><em style="line-height:1.6em;">The reader who finishes the book will not be the same as the one who began it. New ideas will expand the mind but more profoundly, the deep, moving power of the verse will affect the heart.</em></p><p><em>(Marianne Rankin: Director of Communications, Alister Hardy Trust)</em></p><p> </p>
The true life stories of the victims of Joseph Kony's LRA.
<p>Nigerian author and poet Ray Anyasi has published twenty books - poetry, novels, and social commentary. He is the Director of Publishing for Naphtali Publishers in Nigeria. He is also a Certified Copywriter and Content Developer. Ray is motivated to write extraordinary stories of ordinary people who have to confront monstrous challenges they do not orchestrate, yet must overcome. Encountering an author new to us and of the quality of Ray Anyasi always raises the question `Why don't we know more about him?' He has authored a solid number of books, each within a subject range that should find readers who are eager to here fresh voices in their search for new expression. Perhaps the climate of the times, with so much media coverage of the troubles the countries within Africa are enduring, makes readers fear entering stories that deal with those very problems. But in this reader's experience, going to the source - writers who are from the area, living the stress, and still working toward making changes in their own countries as well as gain recognition from the outside world for the possibilities for change - these authors offer a unique stance. And so it is with Ray. Unafraid to incorporate the infamous LRA as part of his plot shows courage and the extraordinary manner in which he relays the struggles is admirable. One of the reasons his prose works so very well is likely due to the poetic flair with which he builds scenes and characters and resolutions. The title Ray chooses `Ujasiri' translated from the Swahili means `strength, courage' and after simply beginning Rays book it is clear why that title was chosen. He sets his story in contemporary times Joseph Dahr, a middle aged ex-soldier attempts to rescue his wife Rose and son Joe Jr., abducted from his Democratic Republic of Congo village by the LRA, with only the aid of a damaged rifle and from his old friend Lawrence Ottoise whom he can trust. Ridden with guilt Dahr believes Rosa and Joe Junior would not have been abducted had he taken them to Kinshasa as Rosa had begged him to. He would hence, not forgive himself unless he brings them home by any means. He relies on Hussein, an American spy, to arm him with all the details on the LRA's mode of operation and he summarizes his mission in a dialogue with Hussein, "I am not an idiot. I know the dangers in what I am about to do, but it is the only way I can live with myself." Hussein on his own has what he thinks is a perfect plan to finish the worst of the LRA, one Joseph Kony, but believes his superiors in the Pentagon would not buy it. Hussein decides teaming up with Dahr is the way forward. As their mission proceeds Dahr meets and inspires several other men who equally have personal reasons to take a fight to the LRA. And thus in Ray's writing style and personal mission he places Dahr in the forefront of leading an army of distraught men while keeping his eyes on the goal now has to be added to his many troubles. Power, conviction of message, and sheer brilliance of pacing are characteristics of this thriller/espionage/suspense story - a book by an important new voice who seems destined to become and important 21st century author. Highly Recommended. Grady Harp,</p>