"Fred
Astaire is the Carioca, the Continental, the very Piccolino of
romance."Frederick
L. Collins
in Liberty magazine (1936)
As well as tributes from the dance world as a whole, Fred has received
glowing references from U.S. presidents, Prime Ministers, Knights of the
Realm, Nobel prize winners, Pulitzer prize winners, Oscar winners, Tony
winners, Grammy winners ... even Heisman trophy winners. Such is the
breadth and depth of the highest regard that Fred Astaire is forever
held.
"Fred
was, in every sense of the word, a superstar. He was the ultimate
dancer - the dancer who made it all look so easy."
Ronald
Reagan (1987)
As the Quotable Fred Astaire: Dancing On Astaire title suggests,
the focus is on the dancing aspect of Fred Astaire. The emphasis of the
2000 quotations is on Fred's dancing rather than his singing or acting
abilities or on his private life.
"You
see, as far as the man's personality goes, there's no one who can touch
Fred Astaire. He's unique."
Donald
O'Connor
The
Quotable Fred Astaire: Dancing On Astaire follows Fred's
early stage career - as a teenager - with sister Adele; runs through all
his movie musicals with partners such as Ginger Rogers, Cyd Charisse
and Ann Miller; finishing with his award-winning performances on TV (in
his late 60s).
"I don't remember anybody ever pointing me
out as a dancing prodigy, but I played a not bad second base."
Fred
Astaire (c 1936)
"Youth is believing that someday you'll dance
like Fred Astaire."
Jacqueline
Friedrich
"Give Mr. Astaire a hunk of rhythm, a straw
boater and a girl, and he's your man."
Bosley
Crowther
in The New York Times (1950)
"Astaire
bursts into a dance which in its speed and unselfconsciousness seems
equally to break the laws of nature."
Graham
Greene
in The Spectator (1936)
"He was the
Duke of Windsor of music: glorious, subtle, aloof, elegant."
Joel
Grey
"Fred Astaire is the saint of 1930s
sophistication, the butterfly in motion."
David
Thomson
Biographical Dictionary of Film (2002)
"The thirties musicals of Astaire worked as
spontaneous eruptions of energy, as Astaire's body almost seemed to
liquefy as walk became dance and speech became the lilting cadence of
song."
Saige
Walton
in Contemporary Comic Book Superhero (2009)
THE PASSING SHOW OF 1918 [1918]
"Fred Astaire is an agile youth, and
apparently boneless, like that nice brand of sardines."
Alan
Dent
in The New York Journal (1918)
SWING TIME (1936)
"The duet 'Pick Yourself Up' may be Astaire
and Roger's finest moment. Proof positive that dancing can be better
than sex."
Ty
Burr
in Entertainment Weekly (1993)
THE BAND WAGON (1953)
"It is with Cyd Charisse during the 'Dancing
in the Dark' sequence that Astaire attained romantic apotheosis."